I feel like I’ve edited these 300 words a thousand times.
Transcendents
Chapter 1
Evan sees it in slow motion, the fall leaves scalloping Mara’s profile as the car hovers above her, the girl on the bike peddling by. He’s seen it a hundred times. Mara is turning to the sound of the squealing brakes, her silhouette swollen against the backdrop of autumn, her hand slung under her enormous belly. The breaching car winks in the sunlight and the sound of Mara’s body as the car hits her is like a sack of mortar being dropped from a truck. Then, she is gone.
It always start in the groin, the pressure so violent it’s almost pain. Evan stops walking. His fist clenches over six oval pills but when he opens his hand, it’s empty. He can taste the pills, the bitter film on them as he swallows one after the other. He feels the heaviness of his limbs, how easily he’d closed his eyes. But the pills hadn’t worked. He’s still here. Here.
Evan turns in a small circle, his feet squeaky on the white floor. A set of tapping footsteps fades in front of him as the man he’s following walks on without him. Evan tries to focus on the man but all he sees shapes, changing, colliding, lines unfolding like dismantled origami. Hexagons turn into ellipses, triangles to quadrilaterals. When he opens his mouth, the queasy taste of metal comes in waves.
The man turns, his face chiseled by the light. “Please try to keep up,” he says. “Our time is limited.”
Beyond the man is a doorway, the white hallway telescoping to it. “I realize you are disoriented,” he adds. “But it will come to you as we go. This…” The man tilts a thin hand toward a door. “Is the waiting room. I will bring you back here once we’ve completed the tour.” He makes eye contact and then continues.
How many ways can this be rewritten? I’ll let you know.

Many moons ago, I was a bright-eyed go-getter, bent on squeezing every drop from the gristly lime of life. I had a lot of things I wanted to do and I was in a big hurry to do them.






1. How much time do you really have?











So, a friend of mine, Tricia, recently wrote a book. She’s written screenplays and movie scripts (both produced) and despite writing being her hobby, she has a keen knack for storytelling, drama and pace.
At the 2016 SDSU Writer’s Conference, Tricia’s book was voted best new work by not one, but both of the agents that read it. Must to the chagrin of the second agent, the first agent immediately asked for exclusive rights and is now her agent. This is the stuff writer fantasies are made of, amirite?
