I feel like I’ve edited these 300 words a thousand times.
Evan sees it in slow motion, the fall leaves scalloping Mara’s profile as the car hovers above her, the girl on the bike peddling by. He’s seen it a hundred times. Mara is turning to the sound of the squealing brakes, her silhouette swollen against the backdrop of autumn, her hand slung under her enormous belly. The breaching car winks in the sunlight and the sound of Mara’s body as the car hits her is like a sack of mortar being dropped from a truck. Then, she is gone.
It always start in the groin, the pressure so violent it’s almost pain. Evan stops walking. His fist clenches over six oval pills but when he opens his hand, it’s empty. He can taste the pills, the bitter film on them as he swallows one after the other. He feels the heaviness of his limbs, how easily he’d closed his eyes. But the pills hadn’t worked. He’s still here. Here.
Evan turns in a small circle, his feet squeaky on the white floor. A set of tapping footsteps fades in front of him as the man he’s following walks on without him. Evan tries to focus on the man but all he sees shapes, changing, colliding, lines unfolding like dismantled origami. Hexagons turn into ellipses, triangles to quadrilaterals. When he opens his mouth, the queasy taste of metal comes in waves.
The man turns, his face chiseled by the light. “Please try to keep up,” he says. “Our time is limited.”
Beyond the man is a doorway, the white hallway telescoping to it. “I realize you are disoriented,” he adds. “But it will come to you as we go. This…” The man tilts a thin hand toward a door. “Is the waiting room. I will bring you back here once we’ve completed the tour.” He makes eye contact and then continues.
How many ways can this be rewritten? I’ll let you know.